The enchanted wood

Blackator Copse is a patch of ancient oak woodland on Dartmoor. Although it’s small – only 21 acres – this rare habitat is nationally important because of the exceptional variety of lichens and mosses. It’s a magical place and I was very grateful to be there again over the Bank Holiday weekend. I conversed for a while with the spirits of place that afternoon, and the idea came that Western civilization is in thrall to an evil spell. Perhaps it’s what the sociologist Max Weber called “the disenchantment of the world” (1962 [1917]). Weber described how animistic beliefs become replaced by purposive-rational action. We gained scientific understanding and control from this Faustian pact with reason but lost something precious in the process.

Sunlight through the trees on Blackator Copse

I’d planned to camp at Blackator Copse and was sitting quietly enjoying the peace when the throbbing beats of banging techno came drifting across the green. I’m well up for some dance music in the right setting, but Blackator Copse most certainly isn’t one of them. Half a dozen lads wandered into the Copse, clearly delighted to have found this little piece of paradise. ‘It’s Bank Holiday weekend’, I thought with a shrug and headed up the hill to a quieter spot.

I came down again the next morning just as they headed off. I sat by the river enjoying the silence for a while and then wandered along the bank. There were a few scraps of rubbish lying about, which is pretty much what I’d expected, but also the remains of a fire. At this point, some context might be useful. Open fires are banned on Dartmoor. First, they aren’t safe as parts of the Moor get very dry. Second, people who light fires on Dartmoor don’t bring in a supply of supermarket bought wood. They collect whatever they see lying around, which will be covered in the lichens and mosses that are part of a unique ecology. Some of the species found here are threatened with extinction in Europe and people burn them. While this is partly ignorance, but it’s mainly due to a consumerist attitude to nature. For some people Blackator Copse – and every other natural place – is simply a resource to be consumed: Get there as fast as possible, use it and leave without paying.

I’m reminded of an occasion many years ago when a friend and I stood in front of a Renoir. I was lost in rapture, but he broke my reverie when he asked “How much do you reckon that’s worth?’ (Framing perception). It’s as if the guys who enjoyed that bonfire of ancient wood and rare lichens were in a different place from me: I wandered amidst magic and they sat in a disenchanted theme park.

David Abram

David Abram’s first book, The Spell of the Sensuous, (1996) has influenced pretty much everyone in the world of ecopsychology and environmental philosophy. Its themes are summed up in the subtitle: Perception and Language in a More-than-human world. By way of introduction, I’ll touch on each of those themes.

Abram is more than just a philosopher; he’s also an ecologist, anthropologist and slight-of-hand magician. That unusual combination gave Abram some unique insights about perception:

“The task of the magician is to startle our senses
and free us from outmoded ways of thinking.”
(Interview with Scott London, 2018).

Abram’s interest in perception led him to Merleau-Ponty’s phenomenology and he develops that into an embodied environmental philosophy. Abram challenges conventional ideas about subject and object, inside and out. He reveals that our perception is always participatory; it involves “an active interplay, or coupling, between the perceiving body and that which it perceives” (Abram, 1996). Thus he comes to understand the body as “a sort of open circuit that completes itself only in things, in others, in the encompassing earth” (Abram, 1996). There are echoes here of Eugene Gendlin who understood the body as extending beyond the skin into “a vastly larger system” (Gendlin, 1997).

It’s not only humans who have a living language. Abram suggests that “various animals and other natural forms today speak in their own unique dialects” (Abram, 1996). Oral cultures fully appreciate this reality; they’re aware that we’re “corporeally embedded” in a “living landscape” (Abram, 1996). But the influence of writing has led us into a “more abstract mode of thinking” that conceals our sensuous, embodied relationship to the more-than-human world (Abram, 1996).

Wentworth Falls. Australia.

A more-than-human world
We are part of a more-than-human community: “the animals, the plants, the trees, even whole forests” (2018). Every member of this wider community has its own wisdom and way of being.

“Each place has its own mind, its own psyche. Oak, madrone, Douglas fir, red-tailed hawk, serpentine in the sandstone, a certain scale to the topography, drenching rains in the winter, fog off-shore in the winter, salmon surging in the streams – all these together make up a particular state of mind, a place-specific intelligence shared by all the humans that dwell therein … ” (Abram, 1996).

Abram was one of the first to recognize the importance of animism for ecological thinking. Animism had long been dismissed as a primitive error, but by the early 1990’s Religious Studies scholar Graham Harvey had identified it as a powerful influence amongst Neo-Pagans. Abram was on a parallel track to Harvey, following the thread through older, indigenous cultures.

Abram continues to explore these themes in Becoming Animal: An Earthly Cosmology (2010), another book I highly recommend. It’s important to note that Abram is a practical philosopher and his work with the Alliance for Wild Ethics is perhaps as important as his writing.

I’m delighted to say that David Abram will be joining me on the Ecology and Research channel of The Embodiment Conference. This on-line event takes place from 14 – 25 October and it’s free to join.

In my next post I’ll introduce philosopher and poet Glen Mazis.